{"id":4505,"date":"2024-09-27T10:26:24","date_gmt":"2024-09-27T08:26:24","guid":{"rendered":"https:\/\/musiqueancienne.be\/?post_type=mec-events&#038;p=4505"},"modified":"2024-09-27T10:44:04","modified_gmt":"2024-09-27T08:44:04","slug":"bach-et-les-concerti-a-trois-clavecins","status":"publish","type":"mec-events","link":"https:\/\/musiqueancienne.be\/en\/events\/bach-et-les-concerti-a-trois-clavecins\/","title":{"rendered":"Bach and the concerti for three harpsichords"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">J.S. Bach's concertos are among the most miraculous gems to have survived from the eighteenth century. They embody vitality, intensity balanced with lightness, complexity alongside freshness, eloquence, and color\u2014an inexhaustible joy to share with the audience. The concertos for three harpsichords elevate the exhilaration of rhythmic interplay, lyricism, vocality, and virtuosity to truly intoxicating heights. These works, among Bach's most daring, provide musicians with a uniquely valuable field of exploration.<\/span><\/p>\n<p><strong>Coordination : <a href=\"https:\/\/musiqueancienne.be\/en\/notre-equipe\/frederick-haas\/\">Fr\u00e9d\u00e9rick Haas<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Les Concertos de J.S. Bach sont \u00e0 placer parmi les perles les plus miraculeuses que nous a transmis le dix-huiti\u00e8me si\u00e8cle. Vitalit\u00e9, intensit\u00e9 mais l\u00e9g\u00e8ret\u00e9, complexit\u00e9 mais fra\u00eecheur, \u00e9loquence, couleurs&#8230; tout y est. Un bonheur in\u00e9puisable \u00e0 partager avec le public. Les Concertos \u00e0 trois clavecins poussent l\u2019ivresse du jeu rythmique, du lyrisme, de la&#8230;<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"default","_kad_post_title":"default","_kad_post_layout":"default","_kad_post_sidebar_id":"","_kad_post_content_style":"default","_kad_post_vertical_padding":"default","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":""},"tags":[],"mec_category":[],"class_list":["post-4505","mec-events","type-mec-events","status-publish","hentry"],"taxonomy_info":[],"featured_image_src_large":false,"author_info":{"display_name":"musiqueancienne","author_link":"https:\/\/musiqueancienne.be\/en\/author\/musiqueancienne\/"},"comment_info":0,"_links":{"self":[{"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/mec-events\/4505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/mec-events"}],"about":[{"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/types\/mec-events"}],"author":[{"embeddable":true,"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/comments?post=4505"}],"wp:attachment":[{"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/media?parent=4505"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/tags?post=4505"},{"taxonomy":"mec_category","embeddable":true,"href":"https:\/\/musiqueancienne.be\/en\/wp-json\/wp\/v2\/mec_category?post=4505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}