Vinciane Baudhuin
chamber music, critical editing (TFE)
Vinciane Baudhuin achieved consecutive First Prizes in Chamber Music and English Horn, along with earning the Diplôme Supérieur de Hautbois and the Master of Baroque Oboe under the tutelage of Paul Dombrecht at the Koninklijk Conservatorium in Brussels. Additionally, she pursued studies in baroque oboe with Ku Ebbinge at the Koninklijk Conservatorium in The Hague.
Unable to choose among her numerous passions, Vinciane Baudhuin pursued a degree in Civil Engineering and Architecture concurrently with her musical studies at the Catholic University of Louvain. She further expanded her academic pursuits by obtaining a Master of Architecture at the University of Pennsylvania in the USA.
Vinciane Baudhuin effortlessly navigates the roles of a soloist, chamber musician, and orchestral performer. For several years, she has been a vital member of ensembles such as Il Fondamento, La Petite Bande, and Bach Concentus. Additionally, she is regularly invited to collaborate with renowned groups including Les Muffatti, Anima Eterna, Scherzi Musicali, Wolf, Bachplus, Capriola di Gioia, the Finnish Baroque Orchestra, Ad Mosam, the Brehmer Baroque Orchestra, and the Australian Romantic and Classical Orchestra. Her musical contributions extend to numerous recordings with these esteemed ensembles.
In 2010, she established the DIALOGUES Quartet, a ensemble dedicated to performing the repertoire for oboe and string trio from the period between 1750 and 1820 using period instruments.
Furthermore, she harbors a passion for researching and critically editing lesser-known repertoire.
Vinciane Baudhuin holds the position of lecturer in early chamber music and professor of critical editing (dissertation follow-up) at the Conservatoire royal de Bruxelles. Additionally, she serves as a professor of chamber music at the Conservatoire royal de Mons (ARTS2).